TABS: https://www.linkinparkguitar.com/uploads/1/4/6/6/146660116/05_-_shadow_of_the_day.txt
DOWNLOAD THE ISOLATED GUITAR TRACK: https://mega.nz/#!ok1jxZaA!0jTGdG66Z8BaN6vCib5GSJuFW9t2huALscmmzk6unwQ
Tuning: Db Ab Db Gb Bb Eb
Signal Chain/Post-Production:
01. Ibanez RG3EX1QM (Bridge pickup, volume/tone knobs all the way up)
02. Boss TU-3 Chromatic Tuner
03. Customized Fender Champion 30 (Distorted channel, Treble - 10, Middle - 7, Bass - 8.5, Gain - 4)
04. Direct out from back of amp
05. Tascam US-122L recording interface
06. HP Envy 15 laptop (Running Windows 7)
07. Audacity 2.0.5 (Raw audio tracking)
08. AmpliTube 3 cabinet section: "4x12 Closed Modern 1" cabinet model (Amp section is bypassed)
09. AmpliTube 3 rack section: Tube Compressor (Drive: 0.5dB, Attack: 25.6ms, Release: 197.7ms, Ratio: 1.95, Output Level: -0.7dB)
10. Adobe Audition 1.5 (Editing/mixing)
Filmed with an iPhone SE, edited in Windows Movie Maker.
Effects Notes:
Normal distorted tone (with the AmpliTube tube compressor) the whole time.
*NOTE* This is a re-upload using the audio from my previous video. My previous video was in 720p, while my more current videos are all in 1080p. I re-recorded this one just to have a better quality upload of it.
This is the part that NOBODY notices is there on the original studio recording of Shadow of the Day...in addition to the main rhythm guitar part's repeated 4-chord progression and the lead guitar's repeated high-register part, there's a third guitar playing octaves. The presence of this guitar part is probably part of why Chester plays a C#5 on the live version in most places where the F#5 chords are present on the studio version (the bass also plays a C# note when those F#5 chords are happening, so Chester may have just followed what he thought were the root notes too). The D# octaves also provide a nice major 7th tonality over the top of the E5 chords in a lot of places too.
