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This video was sponsored by MotionElements.
What is the best perspective to visually represent The Farewell - a complex, energetic, subtle and nuanced story? For Lulu Wang and cinematographer Anna Franquesa Solano the answer was surprisingly easy: keep things simple, clean and minimal.
In this video I’ll break down some foundational rules of composition, analyse how the filmmakers arrived at their perspective for covering scenes in The Farewell and go over specific examples of how they framed shots to tell the story.
Source: https://filmmakermagazine.com/106891-make-this-conversation-in-a-small-room-with-white-walls-work-dp-anna-franquesa-solano-on-the-farewell/#.X5wVtlMzYcg
Source: https://www.indiewire.com/2020/01/the-farewell-lulu-wang-widescreen-filmmaker-toolkit-podcast-episode-106-1202200034/
List Of Films Featured:
The Farewell / 别告诉她 (2019)
Force Majeure (2014)
Still Walking (2008)
0:00 Introduction
1:18 Composition Rules
6:43 Visual Perspective
11:02 Framing Examples
13:50 Conclusion
Music:
Emmit Fenn - ‘Wander’
Jesse Gallagher - ‘Mer-Ka-Ba’
Claudio Laucci - ‘Glass’
Michael FK - ‘Molecule’
Jonny Hughes - ‘Fortress’
Music Courtesy Of Artlist: https://artlist.io/artlist-70446/?artlist_aid=IDC_1162&utm_source=affiliate_p&utm_medium=IDC_1162&utm_campaign=IDC_1162
